2. The preparation of the lining powder: The above-mentioned final immersion liquid 1000 ml in a 2000 ml beaker, heated to 98 ° C, and then added 4 g of ammonium persulfate with a magnetic stirrer stirring 0. 5h, after the oxidation of the solution, adding polyacrylamide 02%。 The solution, the volume of the solution is 0.02%. After lh filtration, the obtained filtrate is subjected to sulfurization and impurity removal, and zinc powder is substituted to obtain a zinc sulfate ammonia refining complex liquid. 122. 9g of antimony sulfide (without water) and 21. 7g of sodium sulfide (without water) are mixed and dissolved in distilled water to obtain a metathesis reaction solution, and a nonionic surfactant 0P-10 (for nonylphenol and epoxy) is added to the solution. The condensate of acetamidine) 0. 2g, the reaction temperature is 40 ° C, the stirring speed is 15m / s, stir well for 40min, then slowly added to 1000ml zinc sulfate ammonia refining complex, continue to stir for 30min and then add quality The fractionation is 30% 3⁄40 2 of desulfurization bleaching, and after bleaching, the nZnS-BaS0 4 crystal filter cake is separated by filtration.
From a stability standpoint, lithopone, a fusion of zinc sulfide and artificially precipitated barite, is non-toxic and exhibits resilience to mild lyes and acids. However, it is incompatible with colors containing copper. Despite its strong covering power in oil, lithopone’s drying capabilities are notably limited, posing potential issues for artists. Notably, early experimentation with lithopone-based grounds instead of zinc white resulted in undesirable darkening, although this blackness receded upon drying. This unpredictable behavior has sparked debate among scientific communities, emphasizing the need for further exploration and understanding of this pigment.
